The research for this thesis focuses on how contemporary art, in all its various
forms, functions via art’s material qualities or materiality. The objective is to
ascertain the significance of materiality in contemporary art within the notion of
temporal proximity and to establish the importance of the physical experience of
works of art irregardless of whether the artwork manifests as an object, as in the case
of painting, or as an experience as in performance art. The aim is to establish the
fundamental relationship between the viewer and the work of art as it originates from
material experience in all its manifestations.
Considerations of materiality can be universally applied in the aesthetic
assessment of diverse contemporary art forms that range from traditional, low-tech
media to conceptual, ephemeral works.
The artwork’s physicality, those aspects that can be sensed and verified by viewers, is a first consideration; physicality impacts content and, subsequently, meaning.
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